First up is the prose-with-line-breaks-masquerading-as-poetry I wrote for a contest on Locution to do with clichés.
***
Love is Blind
Cupid needs glasses.
He must, for he always
passes over me.
His aim is /not/ true--
it's a wonder his arrows
flew straight before now.
I don't really mind,
but if he can't seem to
find me sitting here,
how is he to hit
his real targets? It's a
bit suspect, I think.
I should say something.
Oi, mister Roman god!
Ring up an optician!
No? It's not so bad.
I survived the visit I
had sometime last year.
Oh well, it's your loss.
No running to me when
cross lovers complain.
It's not like I mind,
but love is so very blind.
***
I started something else before writing "Love is Blind." It felt a bit more like poetry, but the imagery/direction seemed muddled. Here goes trying to make something of it:
***
Climbing up the Walls
You've got me climbing up the walls,
still remembering yesterday's fall when
you failed to take up the slack--
I might as well be bouldering.
I feel like I'm at the end
of my rope (even though I'm not),
and all I can see is red
tape marking the route's holds.
***
I can't get any further with it. Somehow I'm unable to crystallize the premise--comparing a fight with rock climbing. It was supposed to tie in the idea of a person climbing in anger, to let off steam, but it just doesn't gel properly. I like individual lines, but not the poem itself, unfinished though it may be.
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I like the idea behind Climbing Up The Walls. I think line 8 could be more punchy if you dropped (even though I'm not) to just (I'm not)
ReplyDeleteI saw it as going
I feel like I'm at the end
of my rope (I'm not)
and all I can see is red
tape, marking the route.
Dunno how that affects the sense of it.