Having to write a story for the workshop was good motivation, though; I managed to write a shortened version of a concept I've had for several years. I think it must be pleased to see the light of day after knocking around in my head for so long. The draft was received fairly well, and soon I'll begin revising it for our final "portfolio" assignment.
Going through the critiques I received has me pondering how to deal with contradictory opinions, a situation I hadn't come across before. On Locution I usually get a body of advice that all adds up to a certain direction; even different opinions aren't blatant contradictions. With this workshop, though, I've found people can have very different reactions to the same story. One person really disliked the magical element I introduced, for instance, while two people thought it needed more emphasis to seem more magical. Yet another said he liked the subtlety of it. I'll probably end up editing the story in line with the opinion I favor, but I can't decide if that's taking the easy way out or simply the way to deal with such variance. Ah well~
Just over a week ago we started the poetry segment of the course, which has been interesting. I'm not much of a poetry person, and I was both apprehensive and excited about it. Right now I've got my workshop poem and a color poem to write--it's sort of what I'm avoiding at the moment, but I'll get round to it soon. ^_^;;
I made a conscious effort when the segment started to try thinking differently. I don't write much poetry, but when I do it's not uncommon for someone to say it's too much like prose, or they can't find a deeper meaning. And I agree--I'm not very good with poetic language or symbolism. I think, though, I managed something different with the exercise last week. We had to take six words the professor gave us and use them in a poem. What resulted wasn't good, per se--the imagery was probably a bit muddled, and rereading it I can see places that need work. Point is, I actually paid attention to imagery, symbolism, metaphor, and suchlike. I may not have got the execution right, but I was thinking about it as I wrote and edited, and I think it made a difference.
Anyway, I should probably get back to thinking about that color poem:
Write a poem in which one color (ex: red) is frequently repeated. Consider the symbolic associations of your chosen color (ex: anger, passion, death). Make color your unifying motif. Pay close attention to where, when, and why you're breaking the language where you are.I'll see how it goes. ^_^
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